Audionautic | Covering the Latest in Music Production, Marketing and Technology

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Is Repurposed Media Still Real Art? | In Discussion with Survey Channel

12/11/2025 • 85 min

This week we sit down with long-time Audionaut, patron, and ambient architect Survey Channel, diving deep into his new release Ecomediums — a sonic journey built from repurposed media, intuitive construction, and a fractured digital consciousness.Ecomediums questions the validity of repurposing art and media. Using fragments of MIDI, samples, layered ambient syn… Play episode

Ableton Live 12.3 Update explained. Stem Separation, Splice and more
187: Why You Don't Need Another Plugin This Black Friday
186: Artist Spotlight, Sunwarper - Today's Traces
185: Artist Spotlight: Kh3rtis – A Transdimensional Passage on a Mazonik B…
184: Hidden Gems of Music Production: The Gear and Software We Can’t Live …
183: First Look: MPC Live III | Are We Still Marketing Ourselves Like It’s…
182: First Glance: Roland TR-1000 — Is Hardware Innovation Stuck?
181: Why Hardware Limitations Make Us Better Musicians
180: Elektron Tonverk at a Glance // Why even release music?
179: As Indie Musicians, Where Do We Put Our Energy?
178: Generative Music as an Inspiration Springboard: In Talks with Mike K …
Is Bandcamp Clubs something we want to join? / Highlighting the Hidden Wor…
176: New Wunder-Sampler on the block? // Making the Space for Happy Accide…
175: Roland's Answer to the Hand Pan // Playing by the Rules vs Parameter …
174: Overcoming Writer's Block: Returning to the Beginner's Mind/MIDI Kali…
173: Back in the Mix: Audionautic after the Summer Break | In Praise of Pr…
172: The One Thing That Changed Our Production Workflows
170: Creative Jealousy and Comparison in the Age of Reels
169: Developing Confidence as an Artist / A Deep Dive into the World of Fr…
168: 4 Things We Wish We Knew When We Started Producing
167: Artist Spotlight: Frequency Control Centre & The 1988 Anomaly
166: Ableton 12.2 Update: What's New? // What makes our creativity unique?
165: How should I price my albums? // Evolving Our Sounds
163: It's (finally) here! Bandcamp Playlists: The Algorithmic Antidote?
162: Our Favourites from Superbooth
161: Soundtoys Spaceblender Live Demo: Grab it while it's free! / Getting …
160: Fields of Few Artist Spotlight: Narrative in musical storytelling & C…
159: Spotify's Royalty Payout Reform: One Year On / Debriefing Eonlake's L…
158: EP-133 Update: Bringing the KO-II into the big league? / Structuring …
157: Roland SP-404 MK2 Update: The Low Down and Reaction / Desert Island D…
156: Bleass Tides Rolls In: Our First Impressions & Demo
155: Elektron Digitakt II & Digitone II Updates / Dreadbox Artemis
Desktop FM Synthesis: Artium Instruments' 'Doppler' is the happy accident …
153: Ableton 12.2 Update: New Features, New Specs, New Ideas
Tune.fm: A new wave in streaming?
151: Going Galactic: First Impressions of Sketch Audio Galaxy Brain & Fuzz…
150: Why Make Physical Media in 2025 and Why You Should Do It
149: Roland S-1 Review / Stacking vs Staggering Releases
148: More Spotify Changes in 2025, Streaming 2.0: What It Means for Artists
147: Our Extended Thoughts on NAMM 2025: What We Saw and Our Favorite Gear
146: Looking to NAMM 2025 / Roland Galaxias Super Instrument / Native Inst…
145: The Mixing Process & Social Media Strategies for 2025
144: 3 Ways we’re approaching Dawless setups for 2025 // Sonicware Brings …
142: Audionautic Awards 2024 - Our Favorite Hardware, FREE Software & More
141: Do we need AI in our Delays? // Behringer Clones Mutable Instruments …
140: Polyend Synth: Doing a Lot with a Little | Reflecting on Early Music-…
139: FREE Dawsome Zyklop is Pretty Awesome // Teenage Engineering OP-XY...…
138 | Are we witnessing the slow demise of Spotify? | Intentionally Broken…
137: Maschine 3 Has Arrived, What's New? | Where’s the line between art + …

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