Audionautic | Covering the Latest in Music Production, Marketing and Technology

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The Most Overrated Advice in Music Production

2/19/2026 • 82 min

This week we’re exploring the most overrated advice in music production.Not bad advice. Not wrong advice. Just ideas that might be over-repeated, oversimplified, or applied without context.From “use reference tracks” to “you need analog warmth,” “limit yourself,” and “finish everything,” we’re unpacking why certain producer mantras stick — and when they genuinel… Play episode

Ableton 12.4 Beta First Look – Collaboration, Stems, and More
We Found A Free Plugin That Breaks How MIDI Works
Post NAMM 2026 Highlights And Industry Reality Check
Live Sound Design with Zebra 3: Early Days Explorations
Want vs Need: When Is New Gear Actually Necessary?
Back in the Studio. Reflections and Intentions for 2026
190: Our Creative Year in Review. Wins, Lessons and Momentum
Is Repurposed Media Still Real Art? | In Discussion with Survey Channel
Ableton Live 12.3 Update explained. Stem Separation, Splice and more
187: Why You Don't Need Another Plugin This Black Friday
186: Artist Spotlight, Sunwarper - Today's Traces
185: Artist Spotlight: Kh3rtis – A Transdimensional Passage on a Mazonik B…
184: Hidden Gems of Music Production: The Gear and Software We Can’t Live …
183: First Look: MPC Live III | Are We Still Marketing Ourselves Like It’s…
182: First Glance: Roland TR-1000 — Is Hardware Innovation Stuck?
181: Why Hardware Limitations Make Us Better Musicians
180: Elektron Tonverk at a Glance // Why even release music?
179: As Indie Musicians, Where Do We Put Our Energy?
178: Generative Music as an Inspiration Springboard: In Talks with Mike K …
Is Bandcamp Clubs something we want to join? / Highlighting the Hidden Wor…
176: New Wunder-Sampler on the block? // Making the Space for Happy Accide…
175: Roland's Answer to the Hand Pan // Playing by the Rules vs Parameter …
174: Overcoming Writer's Block: Returning to the Beginner's Mind/MIDI Kali…
173: Back in the Mix: Audionautic after the Summer Break | In Praise of Pr…
172: The One Thing That Changed Our Production Workflows
170: Creative Jealousy and Comparison in the Age of Reels
169: Developing Confidence as an Artist / A Deep Dive into the World of Fr…
168: 4 Things We Wish We Knew When We Started Producing
167: Artist Spotlight: Frequency Control Centre & The 1988 Anomaly
166: Ableton 12.2 Update: What's New? // What makes our creativity unique?
165: How should I price my albums? // Evolving Our Sounds
163: It's (finally) here! Bandcamp Playlists: The Algorithmic Antidote?
162: Our Favourites from Superbooth
161: Soundtoys Spaceblender Live Demo: Grab it while it's free! / Getting …
160: Fields of Few Artist Spotlight: Narrative in musical storytelling & C…
159: Spotify's Royalty Payout Reform: One Year On / Debriefing Eonlake's L…
158: EP-133 Update: Bringing the KO-II into the big league? / Structuring …
157: Roland SP-404 MK2 Update: The Low Down and Reaction / Desert Island D…
156: Bleass Tides Rolls In: Our First Impressions & Demo
155: Elektron Digitakt II & Digitone II Updates / Dreadbox Artemis
Desktop FM Synthesis: Artium Instruments' 'Doppler' is the happy accident …
153: Ableton 12.2 Update: New Features, New Specs, New Ideas
Tune.fm: A new wave in streaming?
151: Going Galactic: First Impressions of Sketch Audio Galaxy Brain & Fuzz…
150: Why Make Physical Media in 2025 and Why You Should Do It
149: Roland S-1 Review / Stacking vs Staggering Releases
148: More Spotify Changes in 2025, Streaming 2.0: What It Means for Artists
147: Our Extended Thoughts on NAMM 2025: What We Saw and Our Favorite Gear
146: Looking to NAMM 2025 / Roland Galaxias Super Instrument / Native Inst…

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