Debutiful

That's Not How It Happened by Craig Thomas - Writing From the Heart

Simultaneous by Eric Heisserer - Writing for the Screen and Why This Story…

First Taste: Max Delsohn Reads From Crawl

This Is the Only Kingdom by Jaquira Díaz - Fiction, Nonfiction, and "Slutt…

Sister Creatures by Laura Venita Green - Writing When the Timing is Right

First Taste: Teresa Dzieglewicz reads from Something Small of How to See a…

Thank You, John by Michelle Gurule - What's a Sugar Baby?

First Taste: Isabella DeSendi Reads From Someone Else's Hunger

First Taste: Brian Gyamfi Reads From What God in the Kingdom of Bastards

Kaplan's Plot by Jason Diamond - Writer with a Capital W

The Belles by Lacey N. Dunham - Modern Gothic Academia

The Once and Future Me by Melissa Pace - From (Not On) the Screen to the P…

First Taste: Antonio Michael Downing Reads From Black Cherokee

First Taste: Ed Park Reads From An Oral History of Atlantis

Dominion by Addie E. Citchens - The Great Mississippi Novel

These Memories Do Not Belong To Us by Yiming Ma - From MBA to MFA

First Taste: Tennessee Hill Reads From Girls With Long Shadows

Atomic Hearts by Megan Cummins - What is a Debut, Anyway?

Dwelling by Emily Hunt Kivel - The Hero's Journey of the Housing Crisis

First Taste: Esther Ifesinachi Okonkwo Reads From The Tiny Things Are Heav…

Extinction Capital of the World by Mariah Rigg - An Ode to Hawai'i, Family…

Literary Agent Kate McKean Wants You To Write Through It

First Taste: Katie Yee Reads From Maggie

Bitter Sweet by Hattie Williams - How Sometimes Accidents Lead to Success

House of Beth by Kerry Cullen: Sad, Weird, Horny

First Taste: Carrie R. Moore Reads From Make Your Way Home

My Train Leaves at Three by Natalie Guerrero: Finding Yourself and Your Co…

Hot Girls with Balls by Benedict Nguyễn: Are you a Six, or a Green?

First Taste: Rob Franklin Reads From Great Black Hope

Imagine a Door by Laura Stanfill: Inside Indie and Small Presses with Fore…

Ezra Kupor's Galley Brag is the Must-Read Publishing Newsletter of the Year

Girls Girls Girls by Shoshana von Blanckensee: Nurse by Day, Writer by Any…

First Taste: Jayson Greene Reads From UnWorld

Foreclosure Gothic by Harris Lahti: Skateboarding, Foreclosures, and Findi…

First Taste: Lydi Conklin Reads From Songs of No Provenance

There Are Reasons For This by Nini Berndt: Writing To Serve the Story's Pu…

Aggregated Discontent by Harron Walker: Early Aughts Nostalgia

First Taste: Beena Kamlani Reads From The English Problem

Old School Indian by Aaron John Curtis: Love What You Write

The Original Daughter by Jemimah Wei: Knowing What You Want To Write

First Taste: Sarah Aziza Reads From The Hollow Half

When the Harvest Comes by Denne Michele Norris: An Intimate Third Date Con…

Big Chief by Jon Hickey: From False Starts to Finding the Book's Path

First Taste: Lena Moses-Schmitt Reads From True Mistakes

Luminous by Silvia Park: Finding the Right Way to Tell the Story You Need …

We Pretty Pieces of Flesh by Colwill Brown: How Doncaster and Disability S…

Guatemalan Rhapsody by Jared Lemus: Getting Stories to Work on the Fundame…

First Taste: Sarah Lyn Rogers Reads From Cosmic Tantrum

Loca by Alejandro Heredia: An Ode to The Bronx, Dominican Culture, and Que…